The film “Auron Mein Kahan Dum Tha” features Ajay Devgn and Tabu in a romantic drama that seemed intriguing on paper but falls short in its execution. The narrative bears some resemblance to the 2023 English-Korean drama Past Lives, which traced the lives of two characters over 24 years, capturing their separations and eventual reunion with raw, minimalist emotion. Unfortunately, Bollywood’s tendency for elaborate storytelling undermines this simplicity.
The plot centers on Krishna (played by Ajay Devgn), a convict serving a double murder sentence who seems reluctant to leave prison. The film’s plot revolves around why Krishna committed his crimes, but the storyline feels rather thin. Shantanu Maheshwari portrays Krishna’s younger self in 2001, involved with Vasudha, played by Saiee Manjrekar. Their on-screen chemistry is vital, especially since Ajay and Tabu play their older counterparts. A pivotal night changes their lives dramatically, leading to questions about why Vasudha doesn’t wait for Krishna and why he resists leaving prison.
The film combines traditional and unconventional elements, exploring the evolution from passionate youth to practical adulthood. However, the first half of the movie drags with its numerous flashbacks, making the pacing feel sluggish and reminiscent of a prolonged daily soap opera episode.
The second half attempts to bring resolution but ends up repeating events from multiple perspectives, echoing a dramatic take similar to Anees Bazmee’s 2007 film Welcome. The repetition feels excessive, adding to the soap opera feel.
Despite these issues, the film has its moments of humor, with clever one-liners and playful references. For instance, a scene featuring Ajay Devgn’s friend listening to “Jeeta Tha Jiske Liye” from his own film Dilwale garnered applause. The film shines when it embraces light-heartedness but is weighed down by superfluous songs like “Ae Dil Zara Ke.”
In terms of performances, Ajay Devgn’s role is straightforward, allowing him to rely on his brooding persona. Tabu, a seasoned actress, also performs competently, though the role offers little challenge. Jimmy Sheirgill, typecast as the guy who never gets the girl, faces similar limitations. Shantanu Maheshwari brings charm to his role, while Saiee Manjrekar finds a substantial part to showcase her acting skills. The film’s music, by Oscar-winner MM Keeravani, does not stand out.
Overall, “Auron Mein Kahan Dum Tha” could have been more engaging with some edits. Unfortunately, director Neeraj Panday, who also contributed to the script, seems to have overextended the film, leading to an experience that feels interminable at times.
About the Author
