
On Fatima’s insistence, the real Meesha contacts Ratan, who promises to meet with her. Ratan, on the other hand, failed to appear, causing her to relapse into depression. Meesha committed suicide as a result of her father’s constant absence as a parent and her belief that she would always be alone. Fatima was devastated because Meesha had grown to be her best friend. Fatima discovered the letter asking Meesha to return, which was followed by Ratan’s phone being unavailable for days, which made Fatima and Dr. Shekhawat realize that things were not going well at the palace and that they needed to be sorted out before things got worse.

Fatima only wanted to help Meesha by assisting her in accepting the fact that her father was not perfect, but he deserved to be heard. Meesha wanted to know her father, thanks to Fatima because the latter grew up in one of the Meesha charity homes. Fatima had a happy childhood, whereas Kapil had the polar opposite. Now that his true identity has been revealed, Kapil attempts to attack everyone. He hurt Dr. Shekhawat and killed Rukmani by accident. In an attempt to kill Fatima as well, he uses a rifle that malfunctions, resulting in an internal detonation that kills Kapil instantly.
Rukmani was filled with guilt over her role in Ratan’s death, so she tried to be nice to Meesha as well. She had no intention of murdering the girl, but the fact that Kapil kept pushing her to the brink of insanity drove her insane. Fatima realized Rukmani had repented for her role in Ratan’s death, and her death provided the closure she desired for herself; she no longer wished to live. Fatima questions the purpose of this visit because it opened Pandora’s box, resulting in not only messy family dealings but also violent deaths. This is not something the real Meesha would have wanted. Fatima simply wanted to know the truth for Meesha’s sake.
Though he had no regrets for his actions, Kapil was determined to seize everything Ratan Gaikwad owned simply because the man had insulted his heritage. Kapil’s death was in retaliation for his actions, which compelled Rukmani to participate in his schemes as he led her on. “Gaslight” was all about the cycle of manipulations that the women were subjected to, particularly by Kapil. Kapil not only encouraged Rukmani to retaliate against his boss, Ratan Singh. He also manipulates Meesha or Fatima into questioning her sanity, adding to her mental anguish. This film had the potential to add more layers to the meaning of what happens when people are constantly gaslighted. The film would have been more engaging if it had been more complex.